๐—ฌ๐—ผ๐˜‚๐—ฟ ๐—ฏ๐—ฟ๐—ฎ๐—ถ๐—ป ๐—ฎ๐—ป๐˜€๐˜„๐—ฒ๐—ฟ๐˜€ ๐—ถ๐—ป๐—ณ๐—ผ๐—ฟ๐—บ๐—ฎ๐˜๐—ถ๐—ผ๐—ป ๐—ผ๐˜ƒ๐—ฒ๐—ฟ๐—น๐—ผ๐—ฎ๐—ฑ ๐—ฏ๐˜†

By Tzramsoy ยท October 16, 2026 ยท Curated by George's Blog

๐—ฌ๐—ผ๐˜‚๐—ฟ ๐—ฏ๐—ฟ๐—ฎ๐—ถ๐—ป ๐—ฎ๐—ป๐˜€๐˜„๐—ฒ๐—ฟ๐˜€ ๐—ถ๐—ป๐—ณ๐—ผ๐—ฟ๐—บ๐—ฎ๐˜๐—ถ๐—ผ๐—ป ๐—ผ๐˜ƒ๐—ฒ๐—ฟ๐—น๐—ผ๐—ฎ๐—ฑ ๐—ฏ๐˜† ๐—น๐—ผ๐—ผ๐—ธ๐—ถ๐—ป๐—ด ๐—ฎ๐˜ ๐—น๐—ฒ๐˜€๐˜€ -- ๐—ฎ๐—น๐˜€๐—ผ ๐—ผ๐˜‚๐˜๐˜€๐—ถ๐—ฑ๐—ฒ

๐˜ž๐˜ฉ๐˜บ ๐˜ต๐˜ฉ๐˜ฆ ๐˜ค๐˜ฐ๐˜ฎ๐˜ฎ๐˜ถ๐˜ต๐˜ฆ๐˜ณ ๐˜ด๐˜ต๐˜ข๐˜ณ๐˜ฆ ๐˜ช๐˜ด ๐˜ด๐˜ฎ๐˜ข๐˜ณ๐˜ต๐˜ฆ๐˜ณ ๐˜ต๐˜ฉ๐˜ข๐˜ฏ ๐˜ช๐˜ต ๐˜ญ๐˜ฐ๐˜ฐ๐˜ฌ๐˜ด

You know the look. Someone walking through a busy shopping street, eyes fixed somewhere in the middle distance, hundreds of signs going past and none of them landing. ๐˜›๐˜ฉ๐˜ฆ ๐˜ต๐˜ฉ๐˜ฐ๐˜ถ๐˜ด๐˜ข๐˜ฏ๐˜ฅ-๐˜บ๐˜ข๐˜ณ๐˜ฅ ๐˜ด๐˜ต๐˜ข๐˜ณ๐˜ฆ.

I have spent most of my career studying attention, and I still find this one of the brain's best tricks.

When there is more coming in than it can handle, the visual system narrows. Tatler showed it with eye tracking back in 2007: ๐™ฌ๐™๐™–๐™ฉ๐™š๐™ซ๐™š๐™ง ๐™ž๐™จ ๐™ž๐™ฃ ๐™ฉ๐™๐™š ๐™จ๐™˜๐™š๐™ฃ๐™š, ๐™ฉ๐™๐™š ๐™š๐™ฎ๐™š๐™จ ๐™ ๐™š๐™š๐™ฅ ๐™จ๐™ฃ๐™–๐™ฅ๐™ฅ๐™ž๐™ฃ๐™œ ๐™—๐™–๐™˜๐™  ๐™ฉ๐™ค ๐™ฉ๐™๐™š ๐™˜๐™š๐™ฃ๐™ฉ๐™š๐™ง, and most of all in the first moments after something new appears.

Whitney and Levi call the other half of it ๐™˜๐™ง๐™ค๐™ฌ๐™™๐™ž๐™ฃ๐™œ. Pack enough things together and the ones off-center stop being objects and become texture.

I'm going to Japan soon, and wanted to embrace myself for information overload. So I ran two minutes of a packed night-time Tokyo street through the Neurons attention AI to watch it happen. Hundreds of signs in shot. The attention peak never once went into the top third of the frame, where the signs are. About 84% of it stayed at eye level, on the faces coming towards the camera and the path ahead.

Here is the part I like: ๐—ฒ๐˜ƒ๐—ฒ๐—ฟ๐˜† ๐˜€๐—ถ๐—ด๐—ป ๐—ผ๐—ป ๐˜๐—ต๐—ฎ๐˜ ๐˜€๐˜๐—ฟ๐—ฒ๐—ฒ๐˜ ๐—ถ๐˜€ ๐—ฏ๐˜‚๐—ถ๐—น๐˜ ๐˜๐—ผ ๐˜„๐—ถ๐—ป. Bigger, brighter, more animation. And that arms race is exactly what creates the stare. Each sign adds load, load narrows the gaze, and the narrow gaze punishes all of them at once.

๐™’๐™๐™–๐™ฉ ๐™œ๐™ค๐™ฉ ๐™ฉ๐™๐™ง๐™ค๐™ช๐™œ๐™? A face, and whatever sat in the walking line.

A few things I take from this when we test outdoor creative before it goes up:

โ€ข Design for the glance you actually get, at eye level and in the path

โ€ข One thing. The brain will take one thing. Clutter gets charged to the brand

โ€ข A face, a known shape, a single clear word gets past the stare. A paragraph never does

When everything demands attention, the brain protects itself by choosing almost nothing. Make sure you are that one thing.

#neuromarketing #attention #OOH #advertising #CogntiveOverload #neuroscience

Sources:

Tatler (2007), Journal of Vision, https://lnkd.in/e2st2av6

Whitney & Levi (2011), Trends in Cognitive Sciences, https://lnkd.in/eMBkfVxD.

View the original post on LinkedIn